Samuel Beckett’s only venture into the medium of cinema, FILM was written in 1963 and filmed in New York in the summer of 1964, directed by Alan Schneider and features Buster Keaton. For the shooting Mr. Beckett made his only trip to America. The film, which has no dialogue, takes its basis from Berkeley’s theory Esse est percepti, that is “to be is to be perceived”: even after all outside perception—be it animal, human or divine—has been suppressed, self perception remains. FILM was edited by Sydney Meyers and the cinematography was by Boris Kaufman, both of whom were preeminent in their fields. FILM was produced by Barney Rosset and Evergreen Theater.