Much
of Cadoo's work was devoted to creating double-exposures-photomontages
made in the artist's eye-often combining images of statues, the human
form and botanical forms, with more abstract images of varying textures.
Sometimes the double-exposures involved erotica, which had a substantial
audience in the readers of the Evergreen Review. But he did not exclusively
rely on the erotic, and one of his best known images is the cover of Genet's
Our Lady of the Flowers.